000			01650nam a2200241Ia 4500
003			2998
005			20261019102623.0
008			201202s9999||||xx |||||||||||||| ||und||
017			_acopyright
020			_a978-84-96954-78-6
040			_cB000
041			_aeng
050			_aNC997 _bR32
245	1	0	_aRGB : _bReviewing Graphics in Britain / _cEditado por Marc Valli y Richard Brereton
250			_a1a
260			_aUSA : _bActar, _c2010
300			_a288 p. : _bfotografías a color ; _c24 x 30 cm.
520			_aIs there such a thing as British graphic design? There is certainly a lot of it: from the high degree of sophistication, erudition and conceptualization of London-based practitioners such as Mark Farrow, Browns, Bibliotheque, Studio8, Sea, Spin, Proud Collective, NB Studio, Shaz Madani and William Hall, to the relentless visual experimentation of image-markers such as Build, Ehquestionmark, Universal Everything, Julian House, Famili, Hellovon, James Joyce, Tom Hingston, Me Company, Village Green, Yes and Studio Output, not to mention the wonderfully eclectic work of hopelessly cosmopolitan entities such as Winkreative, Non-Format, Fuel, Tomato, MattDent, FI@33 and the designers under the Pentagram umbrella, whose sophisticated internationalism is typified in the work of Domenic Lippa & Angus Hyland. Put al these types together and you get a heady mix. So what happened to British graphics in the last few years? Who did what? With whom? When? Where? Open this book. Find out.
650			_aDiseño gráfico
700			_aValli, Marc _eeditor _913741
700			_aBrereton, Richard _913742 _eeditor
942			_2lcc _cBK
999			_c11193 _d11193